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Wilhelm Trubner
Landscape with Flagpole
mk87
1891
Oil on canvas
48x65cm
Winterthur,Stiftung Oskar Reinhart
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Wilhelm Trubner
On the Sofa
mk138
1872
Oil on canvas
52x45cm
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Wilhelm Trubner
The Pub on Fraueninsel
mk235
1891
Oil on canvas
48x65cm
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Wilhelm Trubner
Neuburg Gates
mk235
1913
Oil on canvas
62x80cm
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Wilhelm Trubner
Teerosen und Flieder im Glas
Date 1882(1882)
Medium Oil on wood
Dimensions 23 x 18 cm
cjr
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Wilhelm Trubner
Gorgonenhaupt
Date 1891(1891)
Medium Oil on paperboard
Dimensions 58 x 43,5 cm
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Wilhelm Trubner
Frau am Chiemsee
1891(1891)
Medium Oil on wood
Dimensions 37,2 x 26 cm
cjr
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Wilhelm Trubner
Dame in Grau
1876(1876)
Medium oil on canvas
Dimensions 106 x 93 cm
cjr
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Wilhelm Trubner
Bootssteg auf der Herreninsel im Chiemsee
1874(1874)
Medium oil on canvas
Dimensions 41 x 56 cm
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Wilhelm Trubner
Einfahrtsweg zum Stift Neuburg
1913(1913)
oil on canvas
Dimensions 61,7 x 76,6 cm
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Wilhelm Trubner
Park Knorr am Starnberger See
1908(1908)
Medium Deutsch:English: oil on canvas
Dimensions 62 x 75,5 cm
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Wilhelm Trubner
Studie zur Begrubung des deutsches Kronprinzen
1903(1903)
Medium oil on cardboard
Dimensions 32,3 x 50 cm
cjr
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Wilhelm Trubner
Adler
1888(1888)
Medium oil on paperboard
Dimensions 52,5 x 74,5 cm
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Wilhelm Trubner
Flower Vase
oil on canvas
Dimensions 30 x 22.5 cm (11.8 x 8.9 in)
cyf
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Wilhelm Trubner
Lake Starnberg
1911(1911)
Medium oil on canvas
Dimensions 40 x 50.2 cm (15.7 x 19.8 in)
cyf
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Wilhelm Trubner
Castle Grounds in Lichtenberg in Odenwald
1900(1900)
Medium oil on canvas
Dimensions 91.5 x 78.5 cm (36 x 30.9 in)
cyf
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Wilhelm Trubner
Teerosen und Flieder im Glas
1882(1882)
Medium oil on panel
Dimensions 23 X 18 cm
cyf
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| Wilhelm Trubner
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German, 1851-1917
was a German realist painter of the circle of Wilhelm Leibl. Trubner was born in Heidelberg and had early training as a goldsmith. In 1867 he met classicist painter Anselm Feuerbach who encouraged him to study painting, and he began studies in Karlsruhe under Fedor Dietz. The next year saw him studying at the Kunstacademie in Munich, where he was to be greatly impressed by an international exhibition of paintings by Leibl and Gustave Courbet. Courbet visited Munich in 1869, not only exhibiting his work but demonstrating his alla prima method of working quickly from nature in public performances. This had an immediate impact on many of the city's young artists, who found Courbet's approach an invigorating alternative to the shopworn academic tradition. The early 1870s were a period of discovery for Tr??bner. He travelled to Italy, Holland and Belgium, and in Paris encountered the art of Manet, whose influence can be seen in the spontaneous yet restrained style of Trubner's portraits and landscapes. During this period he also made the acquaintance of Carl Schuch, Albert Lang and Hans Thoma, German painters who, like Trubner, greatly admired the unsentimental realism of Wilhelm Leibl. This group of artists came to be known as the "Leibl circle". He published writings on art theory in 1892 and 1898, which express above all the idea that "beauty must lie in the painting itself, not in the subject". By urging the viewer to discover beauty in a painting's formal values, its colors, proportions, and surface, Trubner advanced a philosophy of "art for art's sake".
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